HISTORY of PHOTOGRAPHY
Until 1839 the World Was Blind... then Photography Was Born!
This listing is merely an attempt to present the basic groupings of antique photographic portraits. We hope that it will aid
you in research and identification of your treasured family photographs.
Daguerrotype - Two to three inch miniatures with the reflective image directly on the silver
coated copper plate. They were presented in and ornate velvet or satin lined case and
covered with glass for protection. Some quite rare, a valuable find.
1839-1860
1850-1865
Ambrotype - One kind of image. It is a wet plate glass negative. When viewed against
white, the image looks like a pale negative, but when a black background was used, usually
fabric, paper or enameled metal, then a properly exposed positive is revealed. Sometimes
tinted with color.
Tintype- The collodian process negative was coated on a thin black lacquered metal plate. This
made the image appear positive. They became popular during the Civil War, and are the perhaps
the most commonly found antique photograph. The tintype could be developed very quickly, so
the customer could carry his portrait with him. Not the same quality as the ambrotype but
cheaper to produce. Sizes ranged from the very small "dime size" to almost 11 x 14".
1850-1900
1859-1900
Cabinet Photograph- The most common format of the paper print era. Generally a 4 x 5"
photo mounted on a 4 x 6" pasteboard card. The photographer placed his name on the
front and as an advertisement his company name on the back. The "Cabinet" was by far
the most popular, but the most fashionable vogue of all was the ``Carte De Viste". These
were produced in quantity through the use of a multi lens camera and were made famous
by the vanity of Napoleon III, who had them printed as calling cards. This craze swept
across the world with unprecedented speed. Most homes had a small basket at the entry
where visitors could leave their cards.
Convex Oval- At one time the absolute rage in photo-portraiture, the
13 1/2" x 191/2" convex prints were presented with oval frames and convex glass. The process
of producing a very weak image and then a dding some charcoal ``art" as enhancement was
the great selling point. Some prints are seen to have the same characteristics, but are
presented without bubbling and were printed in a variety of shapes
1880-1920
Stereograph- These were produced using a specially devised
double lens camera that sees just as our eyes do. Each image is half
of a two image panel that's meant to be viewed through a hand held
stereoscopic device. This made three dimensional photography a
reality and opened up a new world to the Victorians. They became
the "home movies" of early 20th Century America.
1850-1870
Copyright © 2014 Venetian Arts
941.925.7459
Serving Artists & Photographers Nationwide Since 1965